On feedback, encouragement and art

It’s been almost one month since Missa Innominata came out, and I feel like writing a short summary on this exciting period of time.

In contrast to the previous one, I decided to promote this release on various online platforms like Facebook or Instagram, and this little promotion campaign resulted in a rise in numbers of streams, listens and followers. I, however, seriously think that there is one single thing, which is even more important than the numbers regarding the reception of my album(s): the direct feedback of the community – family, friends, music enthusiasts, followers, and in general everyone, who feel like connected in any way to me or to my music. Therefore, first of all I would like to thank all of you who dedicated your precious time to my previous and recent albums and gave them a listen – I really appreciate your support! I’m extremely grateful for your comments, likes, reposts or any kind of your feedback: please, always be aware that without this constant encouragement it would have been very hard for me to maintain my original impetus and stay focused and motivated. Thank you for being here and walk this path with me!

Also, (as many of you know) SoundCloud provides a great opportunity to comment, repost and numerically rate songs for everyone – so besides the aforementioned “direct” ways of getting feedback from people visiting my website, subscribing to my Spotify or YouTube channels, or checking my Bandcamp page, this is a great opportunity for getting further feedback from random listeners, too. And I must admit that reading these comments was also a heartwarming experience – not to mention the overall scores of my songs that are currently varying between 8.5 and 8.9 out of the maximum 10. All in all – at least based on these initial reactions from supporters and random listeners – Missa Innominata performs well; and this is something that makes me feel grateful, happy, and – I must admit… – proud, too.

Art (at least how I see it…) is a bi-directional process: l’art pour l’art (at least in its purest form) is something unacceptable for me. Painting a picture or writing a sonata just for the sake of the creative process itself seems to me somewhat insufficient, somewhat out of focus. Without doubting the fundamental value of finding joy in creative processes, I see art basically as a powerful tool to transfer feelings, emotions and messages from person to person: a channel connecting people in a very intimate and emotional way. When words fail, music speaks – and in this context it can sometimes be the only chance for us to transcend our limitations and finiteness. Music gives us a chance to fight a heroic struggle against the separation of human from human, and a weapon to combat the sometimes so evident overall sadness of the mortal human existence. That’s why it’s always so touching to see your visits and likes on my pages and read your comments: these simple and very important signs of your presence are those momentums that constantly remind me that I’m not alone on this journey of transmitting feelings through the channels of metal music. There are always people “on the other end of the line”, and my messages (it may sound weird to mention “messages” in the context of instrumental music, but still: my messages are my feelings that I try to express in my musical creations) are heard.

Thank you for being here in our little, but constantly growing community. Thank you for inspiring me and giving me the chance to create and transmit musical messages that would otherwise remain pointless, locked inside the hard drive of a computer in my home.

Two songs, one chart

That moment, when two of your songs (Kyrie, Gloria) reside on a chart at the same time…! It’s a great feeling, tbh.

Impressions

Missa Innominata has already been out for two days.

It took an incredible amount of work to compose, practice, record, mix and master that 52 minutes of original music completely alone – but it was absolutely worth doing it. I never imagined that I’ll get so far on my journey to become an independent musician, but things are evolving seemingly by themselves, without the urge to force or push anything. Still, as the brilliant J. R. R. Tolkien once wrote shortly before the first issue of his monumental saga, The Lord of the Rings: “I am dreading the publication, for it will be impossible not to mind what is said. I have exposed my heart to be shot at.” While it’s really always terrifying to wait for the first reactions, I hope that you guys like what you’ve heard so far.

And as always, I want tell you again and again: thank you for being with me and supporting my work!

Missa Innominata (2022)

Released on June 1, 2022, Missa Innominata, Darkwave’s second full-length album, explores a concept rarely touched upon in the metal scene. Its title – Latin for “Unnamed Mass” – suggests both a connection to tradition and a deliberate departure from it. Rather than merely resurrecting an old idea, the album seeks to infuse it with fresh, personal nuances, adding new layers to something often perceived as rigid and monolithic.

This sense of ambiguity is no accident. The open-ended nature of the title stands in stark contrast to the album’s structured foundation, which follows the well-defined order of the traditional Roman Catholic mass. Yet, Missa Innominata is not a conventional liturgical work; it is a deeply personal interpretation of something ancient and enigmatic, yet undeniably spiritual and richly multi-layered.

As an instrumental album, Missa Innominata conveys the emotional and spiritual weight of the liturgical elements – be it the solemn reverence of Kyrie and Agnus Dei or the ecstatic energy of Gloria and Sanctus – entirely through the language of metal. A genre often seen as profane, even unholy, here becomes the medium for something profound and sacred.

The cover art, once again created by the talented Dávid Ujhelyi, reinforces this concept, emphasizing the eternal dance between darkness and light. Gazing towards the sun – a universal symbol of hope in Western civilization – it captures the essence of Missa Innominata: the search for meaning within contrast, the collision of the ancient and the modern, the sacred and the unconventional.

Track listing

The links below will lead you to the respective tracks on my Bandcamp page, where you can stream or download the songs. Alternatively, you can explore Hexapla on various streaming platforms, including Spotify, AppleMusic, SoundCloud, and YouTube.

  1. Introitus (8:29)
  2. Kyrie (9:28)
  3. Gloria (9:15)
  4. Sanctus (7:15)
  5. Agnus Dei (10:43)
  6. Postcommunio (7:21)

Total playing time: 52:31